8 min read · about 1 h 30 min with practice3 quick checks≈2% of the testCore: Core: tested on most papers
Reading is free. Sign in to tick off lessons, keep your place and track your mastery.
Stationary waves appear in almost every waves paper, usually as a structured question built around a vibrating string or a resonance tube: a definition, a harmonic calculation, a graph from the required practical, and an explanation of how nodes form. The top marks go to candidates who explain formation as the superposition of two waves travelling in opposite directions, and who never confuse the node spacing with the wavelength.
By the end you’ll be able to
Explain how a stationary wave forms from two progressive waves travelling in opposite directions
Compare stationary and progressive waves (energy transfer, amplitude, phase)
Find harmonic frequencies for strings and for open and closed pipes, including end corrections qualitatively
Use f = (1/2L)√(T/μ) and describe the string practical varying length, tension and mass per unit length
Describe microwave and sound stationary-wave experiments to measure wavelength
What the exam asks
Explain how a stationary wave forms: reflection, superposition, nodes and antinodes.
Compare stationary and progressive waves for energy, amplitude, phase and frequency.
Draw and use harmonic patterns for strings and for pipes (open at both ends, or closed at one end).
Use f=2L1μT and describe the string practical.
Find a wavelength from node positions with microwaves or sound, and the speed of sound from a resonance tube.
Core ideas
How a stationary wave forms
A progressive wave travels along the string (or the air in a pipe) and reflects at the end.
The incident and reflected waves have the same frequency, wavelength and speed (and similar amplitudes) and travel in opposite directions.
They superpose. At some points the two waves always arrive in antiphase and cancel: these are nodes, with zero amplitude. Midway between them the waves always arrive in phase and reinforce: these are antinodes, with maximum amplitude.
A large, steady pattern only builds up at resonant frequencies, when a whole number of half-wavelengths fits the length and matches the conditions at the ends.
Adjacent nodes (or adjacent antinodes) are λ/2 apart. A node and the next antinode are λ/4 apart.
Stationary versus progressive
Property
Progressive wave
Stationary wave
Energy
transferred along the wave
no net transfer; energy is stored
Amplitude
the same at every point (ignoring losses)
varies from zero (node) to a maximum (antinode)
Phase
changes steadily over one wavelength
all points between adjacent nodes in phase; adjacent loops in antiphase
Frequency
every point oscillates at f
every point except the nodes oscillates at f
Wave profile
moves along
stays in place
Strings: both ends are nodes
L=2nλ,f
μ is the mass per unit length in kg m⁻¹. For a wire of density ρ and diameter d, μ=ρA=ρπd.
So f∝1/L, f∝T and . Every harmonic () is possible.
Air columns
Pipe
Ends
First harmonic
Harmonics present
Open at both ends
antinode and antinode
L=λ/2, f1=v/2L
all:
These are displacement nodes and antinodes; a displacement node is where the pressure varies most. The antinode at an open end actually forms slightly beyond the end, so the effective length is L+e, where the end correctione is about 0.6r. Cambridge and OCR B treat it as negligible; other boards may raise it in resonance-tube questions, so understand it qualitatively.
The string practical (AQA RP1, Edexcel and IAL core practical, OCR PAG5)
A string runs from a mechanical vibrator, driven by a signal generator, over a pulley to a mass hanger, so T=mg.
Adjust the frequency until the first harmonic (one loop) has maximum amplitude. Read f from the signal generator, or check it with an oscilloscope if the dial is poorly calibrated.
Measure L from the vibrator to the pulley (node to node) with a metre rule. Find μ by weighing a long, measured length of string on a top-pan balance.
Change one variable at a time. Straight-line graphs: against (gradient ), against (gradient ), against .
Microwaves and sound
A transmitter faces a metal plate, and a probe moved along the line between them finds maxima and minima. Adjacent minima are λ/2 apart. Count intervals, not minima: from the 1st to the 11th minimum is 10 half-wavelengths. The same method works with a loudspeaker, a reflecting board and a microphone.
Resonance tube: hold a tuning fork (or small loudspeaker) over a tube whose air column can be lengthened, for example by raising it out of water. The first resonance occurs at L1+e=λ/4 and the second at L. Subtracting removes the end correction: and .
Worked examples
Exam technique
A formation explanation needs four linked ideas: reflection gives two waves; they have the same frequency and travel in opposite directions; they superpose; nodes form where they are always in antiphase and antinodes where they are always in phase. Write “superpose” or “interfere”, not just “the waves meet”.
Sketch the harmonic before writing an equation: mark the nodes (N) and antinodes (A) and count the quarter- or half-wavelengths.
For scaling questions, write the proportionality (f∝T/L) and multiply the factors. No numbers are needed.
For graph questions, rearrange into the form , identify the gradient in symbols, then substitute.
Common mistakes
Quick recap
Two waves of the same frequency travelling in opposite directions superpose to form a stationary wave.
Nodes have zero amplitude and antinodes maximum amplitude; node to node is λ/2.
There is no net energy transfer. The amplitude varies with position; the phase is the same within a loop and reverses across a node.
String: fn=2, with every harmonic present.
vii.Check your understanding
3 questions on superposition and stationary waves. Every option is explained once you answer.
Sign in to try the quick check
Answers are checked on our side, every option is explained, and your result feeds your mastery for this topic. It’s free.
Edexcel / IAL (string core practical): the data list gives v=T/μ, so you combine it with λ=2L/n yourself.
OCR A (4.4.4, PAG5): strings, air columns in open and closed tubes, and the resonance-tube measurement of the speed of sound. It uses “fundamental mode (1st harmonic)”.
Cambridge 9702 (8.1): microwaves, strings and air columns. End corrections are assumed to be negligible and are not examined.
OCR B: standing waves by superposition, described with phasors. The resultant at a point is the vector sum of two rotating arrows, and at a node the two arrows always point in opposite directions. End corrections are not required.
n
=
2Lnv=
nf1,v=
μT⇒
f1=
2L1μT
2
/4
f∝1/μ
n=1,2,3,…
f1,2f1,3f1,…
Closed at one end
node (closed end) and antinode (open end)
L=λ/4, f1=v/4L
odd only: f1,3f1,5f1,…
f
1/L
21T/μ
f2
T
1/4L2μ
f
1/μ
Precision: approach resonance from above and below and average; use higher harmonics and measure across several loops; a stroboscope can freeze the pattern.
Safety: the string can snap under tension, so wear goggles and keep the masses low over a soft landing.
2
+
e=
3λ/4
λ=2(L2−L1)
v=fλ
2
=
47800×π×(0.50×10−3)2=
1.53×
10−3
Rearranging, T=μ(2Lf)2=1.53×10−3×(2×0.70×196)2=115 N.
50
The pipe is closed at one end, with L=4f1v=4×50340=1.7 m.
×
0.666=
341
e=4λ−L1=0.1665−0.157=0.0095 m, about 1 cm.
=
3.0
f=λc=0.0303.00×108=1.0×1010 Hz.
y=mx
The closed end of a pipe is always a displacement node. Never put an antinode there.
L
n
T/μ
Open pipe: L=nλ/2, all harmonics. Closed pipe: L=(2n−1)λ/4, odd harmonics only.
Resonance tube: λ=2(L2−L1) cancels the end correction.
Straight-line graphs: f against 1/L, and f2 against T.