What the exam asks
In Bluebook, Section I presents 55 four-option questions (A–D) divided into five passage sets of 8 to 13 questions each. Every exam includes at least two prose fiction passages (which may include drama) and at least two poetry passages, with a heavier emphasis on 20th-century and contemporary works than pre-20th-century texts.
Each passage begins with an introductory note giving the author, title, genre, and publication year, with every fifth line numbered and archaic or unusual words glossed in footnotes. Every question is answerable from the passage alone and assesses the function of a literary choice across the seven CED skill categories:
| Skill category | Exam weight | What stems ask you to analyze |
|---|---|---|
| 4. Narrator or speaker | 21–26% | Tone, attitude, reliability, perspective, point of view |
| 1. Character | 16–20% | Motives, values, relationships, shifts, agency |
| 3. Plot and structure | 16–20% | Sequence, contrasts, shifts, pacing, function of a stanza/paragraph |
| 5. Word choice, imagery, symbols | 10–13% | Connotation, figurative meaning, motifs, ambiguity |
| 6. Comparison | 10–13% | Function of similes, metaphors, conceits, personification, allusion |
| 7. Literary argumentation | 10–13% | Which claim is best supported by textual details |
| 2. Setting | 3–6% | Mood, atmosphere, cultural/historical context, character relation to place |
Core ideas
The first-pass reading routine
Never jump straight to the questions without reading the passage; context controls meaning. Spend 2.5 to 3.5 minutes on an active first read:
- Read the headnote and footnotes first: The publication year and title immediately orient you to historical context and subject.
- For prose fiction and drama: Track the dramatic situation (who is where, doing what, and why), the narrator’s perspective and tone, and where the tension or perspective shifts.
- For poetry: Read sentence by sentence (follow punctuation, not line breaks). Identify the speaker, the central contrast or shift (often signaled by yet, but, or a stanza break), and the literal situation beneath the figurative language.