English A L&L · Lesson 4 of 6 · Paper 2
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Paper 2 is a 1 hour 45 minute closed-book examination where you compare two literary works you have studied without having the copies in front of you. Mastering precise textual references without relying on long memorized quotations—while managing your time and academic register—directly secures top marks across Criteria A, B1, C, and D.
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You’ve read the first part of this lesson. The rest is part of Pro: about 8 more minutes of reading, plus the quick check.
In Paper 2, you choose one of four general questions and write a comparative essay on two literary works studied in your course. Because the exam is closed-book, the IB says you are not expected to include direct quotations. Examiners reward detailed, accurate references to specific moments, structural shifts, and authorial choices.
Your essay is marked out of 25 on four criteria. Criterion B has two halves, B1 and B2, so you get five scores of 5 marks each:
Many candidates think they must memorize dozens of full sentences to reach the top band. In fact, a misremembered or awkwardly forced quotation hurts your essay more than no quotation at all. Instead, use micro-quotations (one to three exact words woven into your sentence) combined with precise paraphrase (pinpointing the exact scene, structural position, and technique).
| Evidence Type | How it works | What it earns |
|---|---|---|
| Vague recall | “Near the end of the play, Torvald gets angry at Nora about the letter.” | Keeps Criterion A low (too vague to show detailed knowledge) and starves Criterion B1. |
| Precise reference (no quotes) | “In the Act 3 climax, Ibsen uses Krogstad’s first letter as a dramatic catalyst, stripping away Torvald’s protective persona to expose his obsession with public reputation.” | Reaches 4–5 in Criterion A and Criterion B1 by naming the structural placement (Act 3 climax), technique (dramatic catalyst, persona), and meaning. |
| Micro-quotation + reference | “When Torvald calls Nora his ‘squirrel’ in Act 1, Ibsen establishes a patronizing domestic hierarchy that makes her final exit at the sound of the slamming door all the more radical.” | Top band in A, B1, and D—weaves a one-word quote you can be sure of into analysis of structure and characterization. |
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