What the exam asks
Across both sections of the exam, you are expected to demonstrate two core skills from the Course and Exam Description (CED):
- Skill 3.E: Explain the function of a significant event or set of events in a plot.
- Skill 3.F: Explain the function of conflict in a text.
In Section I, questions will ask why an author includes a specific encounter, how an episode shifts a character’s trajectory, or what competing values underlie a dispute. In Section II, Question 3 prompts frequently center on a pivotal moment, a clash of values, or an intersecting conflict, asking you to analyze how it contributes to an interpretation of the work as a whole.
Core ideas
Narrative building blocks and event significance (STR-1.K, STR-1.L, STR-1.M)
A narrative is delivered through a purposeful series of episodes (distinct, self-contained sequences within a larger story), encounters (meetings between characters or forces), and scenes (continuous dramatic action in a single setting).
Not all events are equally important. An event’s significance is determined by three factors:
- Relationship to the narrative: Does it alter the causal chain of the plot or raise the stakes?
- Relationship to the conflict: Does it introduce, escalate, complicate, or resolve a central struggle?
- Relationship to character development: Does it force a character to make a revealing choice, confront a flaw, or change their perspective?
Internal vs. external conflict and competing values (STR-1.N)
At its core, literary conflict is a clash of competing values, beliefs, needs, or perspectives.
| Conflict Type | Definition (CED Alignment) | How It Functions in a Text |
|---|---|---|
| Internal Conflict | A psychological struggle within a character who is torn between competing desires, duties, or moral values. | Reveals character complexity; forces an internal choice that drives external action. |
| External Conflict | A struggle between a character and outside forces that obstruct their goals (another character, social expectations, nature, or fate). | Creates plot momentum and obstacles; tests the strength of the character’s internal convictions. |